学生による秋野不矩美術館のリサーチについてコメントをしました。
私も秋野不矩美術館に行きたいですね。せっかく正月に静岡浜松までに行ったけど、美術館までに行く機会がなかった。まだ今度。
Haven’t a chance to visit this museum yet, I thank the students for
their vivid presentation sharing discoveries and thoughts on this
surreal and funky museum based on their visit. Their sharing had
offered the class an insight on how building techniques based on
handicraft tradition can turn a palette of natural materials into a
modern museum, stretching the visitors’ imagination and reconnecting
human with nature -aims that are particularly important in Japanese
design.
秋野不矩美術館 Akino Fuku Museum, located in Shizuoka-ken Hamamatsu-shi, was
designed by Terunobu Fujimori and built in 1998. Terunobu Fujimori, a
leading historian of modern Japanese architecture, began to design his
own architecture in 1990. Since then, he has created a number of
original buildings unbound by previous forms or styles, offering
continual surprises to the world of architecture. A modern eccentric
with an architectural sensibility drawn from ancient Japanese
traditions, Terunobu Fujimori designs projects that are exercises in
playful experimentation and sophisticated craft.
Akino Fuku Museum building offers a distinctive exterior image with
huge mud wall, dead trunks growing through and the look of a medieval
Japanese wooden fortress. The students had gone from Kyoto to
Shizuoka to document the entry sequence of the museum and the interior
material and spatial designs. I have learnt from their video and
sketch that the museum is located in such a way that visitors would go
through an uprising slope through dense vegetation and a sequence of
light-dark-light, with the museum being revealed gradually in front as
the visitors walk up the main access.
The students had explained quite effectively through model and
presentation about the change of materials between rooms. Inspired by
the strong lines and colors of the renowned Nihonga painter Akino
Fuku, Fujimori created a hilltop edifice of stucco and wood that seems
part Rajasthan fortress, part Orissa mud house. Inside, visitors
remove their shoes and are invited to sit on the stone floors and gaze
at leisure upon the landscapes covering the cool earthen walls.
designed by Terunobu Fujimori and built in 1998. Terunobu Fujimori, a
leading historian of modern Japanese architecture, began to design his
own architecture in 1990. Since then, he has created a number of
original buildings unbound by previous forms or styles, offering
continual surprises to the world of architecture. A modern eccentric
with an architectural sensibility drawn from ancient Japanese
traditions, Terunobu Fujimori designs projects that are exercises in
playful experimentation and sophisticated craft.
Akino Fuku Museum building offers a distinctive exterior image with
huge mud wall, dead trunks growing through and the look of a medieval
Japanese wooden fortress. The students had gone from Kyoto to
Shizuoka to document the entry sequence of the museum and the interior
material and spatial designs. I have learnt from their video and
sketch that the museum is located in such a way that visitors would go
through an uprising slope through dense vegetation and a sequence of
light-dark-light, with the museum being revealed gradually in front as
the visitors walk up the main access.
The students had explained quite effectively through model and
presentation about the change of materials between rooms. Inspired by
the strong lines and colors of the renowned Nihonga painter Akino
Fuku, Fujimori created a hilltop edifice of stucco and wood that seems
part Rajasthan fortress, part Orissa mud house. Inside, visitors
remove their shoes and are invited to sit on the stone floors and gaze
at leisure upon the landscapes covering the cool earthen walls.
Haven’t a chance to visit this museum yet, I thank the students for
their vivid presentation sharing discoveries and thoughts on this
surreal and funky museum based on their visit. Their sharing had
offered the class an insight on how building techniques based on
handicraft tradition can turn a palette of natural materials into a
modern museum, stretching the visitors’ imagination and reconnecting
human with nature -aims that are particularly important in Japanese
design.
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